A couple of months ago we received a media release from the Melbourne-based sketch comedy group Aunty Donna, telling us about their web series Aunty Donna’s Rumpus Room. We liked it, but whether the following review is interesting…well, you... Read More »
Isn’t Josh Thomas so loveable, with his cute hair and his innocent gormlessness? Look! He’s all curled up on his bed in the foetal position because THE HOTTEST GUY ON THE PLANET wants to kiss him. Feel his pain, everyone! That must be, like, TOTALLY... Read More »
It was great to hear last week that Tony Martin has donated a large number of tapes of material from Martin/Molloy, Get This and The D-Generation breakfast show to the National Film and Sound... Read More »
When did we get so massively oversensitive about comedy? That’s one of the questions that sprung to mind when we watched Shock Horror Aunty the other... Read More »
While we were getting all worked-up about the likes of Balls of Steel Australia and The Janoskians for the 2012 Australian Tumbleweed Awards, The Comedy Channel started airing their latest “original” pranks show Off Their... Read More »
Voting is now open in this year’s Australian Tumbleweeds 2012. Now in its 7th year, the Australian Tumbleweeds hails the failures (and occasional successes) of this nation’s comic... Read More »
We want to draw your attention to The Preston Institute's blog about the “Royal Prank” and the consequent suicide of Jacinta Saldanha. It highlights some of the issues we’ve been thinking about over the past couple of days, including the culture at Austereo radio stations that seems to be as much, if not more, for her tragic... Read More »
The fact that Santo, Sam and Ed are now podcasting, as opposed to being on Channel 7 or SBS or radio, isn’t because they’ve been banished for being crap, it’s because broadcasters and audiences are... Read More »
John Clarke doesn’t do many interviews, so it’s interesting that he was the subject of a long article on TV Tonight the other... Read More »
Making the audience laugh loudly and frequently should be the principle objective of any comedic work, right? Yet in the decade or so since The (UK) Office we have seen a fundamental change in the nature of sitcoms and how many people judge... Read More »